Email: chungkingexpressllc@gmail.com
        Twitter: bearomix
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Vietnamese American writer, editor, and arts worker based in Brooklyn. They pronouns, twenty-five, ’24 B.A. graduate of the Comparative Literature department at Stanford University. Teresa Teng stan and definitely on the spectrum. Pretends to be Setsuko Hara when riding a CitiBike. Would love to write about Asian cinema with you.

Currently an editorial assistant at BOMB Magazine, an assistant editor of online resources at Poets & Writers, a library consultant at the Asian American Writers’ Workshop, and an assistant at The Space Program. Has freelanced for BOMB Magazine's Oral History Project, Harvard Graduate School of Design's Pairs, the Wikimedia Foundation’s social media, and other clientele, as well as helped research for Beneath the Mountain: An Anti-Prison Reader edited by Mumia Abu-Jamal and Jennifer Black and published by City Lights Books in 2024.

Also regularly edits the English Wikipedia and wrote the pages for Criterion Closet, Performative male, Becoming Chinese, Wasian, Molly Tea, Lit bro, Wonyoungism, Swag gap, Smiski, Office siren, Katseye's Gap commercial, and over five hundred others as mentioned in The New York Times. As a community member, occasionally trains new users how to edit, facilitates edit-a-thon events, and shoots photography for WikiPortraits, a project to improve photo coverage on Wikimedia Commons.

Sometimes posts reviews of film, music, literature, and art at Kiko’s, a Substack blog named after Kiko Mizuhara. Why? Let's connect, and you can find out.

Four favorites seen recently in New York City: Shinichiro Sawai's W's Tragedy at Japan Society; Lou Ye's Suzhou River at Metrograph; Stanley Kwan's Rouge at Asia Society; and Hirokazu Kore-eda's Our Little Sister at Japan Society.